{"id":3544,"date":"2026-03-01T11:31:16","date_gmt":"2026-03-01T11:31:16","guid":{"rendered":"https:\/\/h-a-u-s.org\/?p=3544"},"modified":"2026-05-23T12:13:05","modified_gmt":"2026-05-23T12:13:05","slug":"oliver-curating-arts-robotics-exhibition-and-performance-program-at-icra-2026","status":"publish","type":"post","link":"https:\/\/h-a-u-s.org\/index.php\/2026\/03\/01\/oliver-curating-arts-robotics-exhibition-and-performance-program-at-icra-2026\/","title":{"rendered":"Oliver curating arts & robotics exhibition and performance program at ICRA 2026"},"content":{"rendered":"\n

together with Rachael Garrett<\/a> (Somabotics) and Bipin Indurkhya<\/a> (Cognitive Robotics Lab). <\/p>\n\n\n\n

<\/p>\n\n\n\n

1000m2 arts & robotics exhibition. <\/p>\n\n\n\n

Every noon, 13 – 13: 45, there is a performance program at the arts & robotics stage. <\/p>\n\n\n\n

Non-stop cinema of arts films and videos in robotics and AI. <\/p>\n\n\n\n

35 contributions. <\/p>\n\n\n\n

Exhibition opening 2.6., 18h; opening hours 2.6. – 4.6. 9 to 18h. <\/p>\n\n\n\n

Artists: <\/h2>\n\n\n\n

(tba)<\/p>\n\n\n\n

Projects: <\/h2>\n\n\n\n

Music-driven Robot Swarm Painting<\/p>\n\n\n\n

Claviiiiiier<\/p>\n\n\n\n

Tac-Art: Tactile-Driven Art Inspired by Chinese Calligraphy<\/p>\n\n\n\n

\u03a3-A49.1.27 – A Speculative Archaeological Installation of an AI-Assisted Bio-Inspired Robot<\/p>\n\n\n\n

Rhythmic Motion of a Kinetic Animal Skeletal Array Powered by Synthetic Actuation<\/p>\n\n\n\n

Astrofin<\/p>\n\n\n\n

PET robot<\/p>\n\n\n\n

Safe and Sound<\/p>\n\n\n\n

Eyes as a Brush, Light as Paint<\/p>\n\n\n\n

Father[Less]: Giving Voice to Infants\u2014Voiceless Citizens\u2014Through Needs-Aware Art-Generating Robots<\/p>\n\n\n\n

Algorithms in Reflection<\/p>\n\n\n\n

Shhh, the Child is Sleeping<\/p>\n\n\n\n

After Order | Non-Architectural Conditions<\/p>\n\n\n\n

Ai\u2019s Lullaby: Non-Identitarian Deconstruction and Cyborg Diffractive<\/p>\n\n\n\n

Embodied Memory<\/p>\n\n\n\n

TOKAMAK | Human\u2013Machine Co-Creation in a Musical Context<\/p>\n\n\n\n

disarming II<\/p>\n\n\n\n

RoboSax Melody Slot Machine <\/p>\n\n\n\n

Performance program 2., 3., 4., 13 \u2013 13: 45:<\/h2>\n\n\n\n
Lecture-performance<\/td>2., 3., 4. After Order<\/td>Bewegende Architektur | Christoph M\u00fcller<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Dance-performance <\/td>2., 3., 4. Symbiosis<\/td>Kuba, Iza <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Dance-performance <\/td>2.6. SPOTSHOTBEUYS<\/td>Silke Grabinger<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Dance-performance <\/td>3.6. AREYOUARE<\/td>Silke Grabinger<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Dance-performance <\/td>4.6. QUANTWIN<\/td>Silke Grabinger<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Non-stop cinema 2., 3., 4., 9-18h: <\/h2>\n\n\n\n

(work in progress, preliminary list) <\/p>\n\n\n\n

Reptile: A Bio-Mimetic Choreography Engine for V2X and A2X Swarms<\/p>\n\n\n\n

SLAPBOT<\/p>\n\n\n\n

Symbiosis<\/p>\n\n\n\n

Designing First Encounters with a Robotic Swarm: A Dramaturgical Method for Human\u2013Robotic Swarm Interactions<\/p>\n\n\n\n

CHORD: Deterministic Virtuosity in Anthropomorphic Robotic Piano<\/p>\n\n\n\n

Blind Contour: An Exploration of Robot Painted Animation and Human Choreography<\/p>\n\n\n\n

The Physiology of Creativity: Autonomous Robotic Painting Driven by Synthetic Biometric Generation<\/p>\n\n\n\n

Bodies in Dialogue: Exploring Embodied AI in Human-Robot Physical Theatre Ensembles<\/p>\n\n\n\n

Robot Painted Animation<\/p>\n\n\n\n

Maternal Protocol<\/p>\n\n\n\n

QUANTWIN<\/p>\n\n\n\n

Pain Killer<\/p>\n\n\n\n

Embodied Magnetism: A Wearable Sensory Design for Human-Robot Performance Interaction<\/p>\n\n\n\n

graffiti drone <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n