{"id":3251,"date":"2026-10-15T15:32:00","date_gmt":"2026-10-15T15:32:00","guid":{"rendered":"https:\/\/h-a-u-s.org\/?p=3251"},"modified":"2026-10-01T14:42:09","modified_gmt":"2026-10-01T14:42:09","slug":"publication-the-aesthetisation-of-performance-improvisation-by-lisa-moravec","status":"publish","type":"post","link":"https:\/\/h-a-u-s.org\/index.php\/2026\/10\/15\/publication-the-aesthetisation-of-performance-improvisation-by-lisa-moravec\/","title":{"rendered":"Publication &#8220;The Aesthetisation of Performance Improvisation&#8221; by Lisa Moravec\u00a0"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Concearning the work of H.A.U.S., the text very interestingly is defining a position for it&#8217;s approach to critique: <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;The improvisational approach to working with humanoid AI robots and dance of H.A.U.S. adds a fourth performance model of critiquing the infrastructural incorporation of generative AI technologies &#8230; generates new scientific and aesthetic research&nbsp;<em>by<\/em>&nbsp;<em>improvising<\/em>&nbsp;(model IV) with AI technologies across dance, philosophy, robotics, and AI.&#8221; <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A<strong> <\/strong>contribution to&nbsp;Liam Jarvis and Aneta Mancewicz (eds.) Contemporary Theatre Review&nbsp;journal, special issue:&nbsp;<em>AI in Performance-Making: New Frontiers in the Humanities<\/em> (publication in Autumn&nbsp;2026)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Keywords:&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">embodied AI, humanoid robots, Rodney Brooks, Hans Moravec, H.A.U.S., performance theories of bodily intelligence, improvisation.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Concearning the work of H.A.U.S., the text very interestingly is defining a position for it&#8217;s approach to critique: &#8220;The improvisational approach to working with humanoid AI robots and dance of&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,46],"tags":[],"class_list":["post-3251","post","type-post","status-publish","format-standard","hentry","category-publications","category-publikationen"],"_links":{"self":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/3251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/comments?post=3251"}],"version-history":[{"count":9,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/3251\/revisions"}],"predecessor-version":[{"id":3882,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/3251\/revisions\/3882"}],"wp:attachment":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/media?parent=3251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/categories?post=3251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/tags?post=3251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}