{"id":2588,"date":"2023-04-14T13:15:06","date_gmt":"2023-04-14T13:15:06","guid":{"rendered":"https:\/\/h-a-u-s.org\/?p=2588"},"modified":"2023-06-12T10:26:12","modified_gmt":"2023-06-12T10:26:12","slug":"upcoming-youai-i3-01","status":"publish","type":"post","link":"https:\/\/h-a-u-s.org\/index.php\/2023\/04\/14\/upcoming-youai-i3-01\/","title":{"rendered":"> upcoming: performance youAI-I3-01"},"content":{"rendered":"\n<p>A word and dance performance, discussing the training of so-called artificial intelligence systems. Our behavior in digital media is being used to train AI\u2019s ever more precisely, sometimes subtly, sometimes quite obviously.<br>youAI is the latest research cycle by transdisciplinary H.A.U.S.<br>On stage a dancer, an actress, an engineer, the robot, and the AI. But who is training whom?<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Starting the youAI research cycle with this first performance after the youAI premiere. With this research cycle, we scrutinize our AI models for further development to unfold human-humanoid motion potential. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2023\/04\/H.A.U.S._improper_gallery-1024x1024.jpeg\" alt=\"\" class=\"wp-image-2589\" srcset=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2023\/04\/H.A.U.S._improper_gallery-1024x1024.jpeg 1024w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2023\/04\/H.A.U.S._improper_gallery-300x300.jpeg 300w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2023\/04\/H.A.U.S._improper_gallery-150x150.jpeg 150w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2023\/04\/H.A.U.S._improper_gallery-768x768.jpeg 768w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2023\/04\/H.A.U.S._improper_gallery.jpeg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Friday, April 28, 2023, 7 pm at <a rel=\"noreferrer noopener\" href=\"https:\/\/improperwalls.com\/contact\" target=\"_blank\">IMPROPER WALLS<\/a> gallery (<a rel=\"noreferrer noopener\" href=\"https:\/\/improperwalls.com\/contact\" target=\"_blank\">address<\/a>)<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/improperwalls.com\/events\/youai-i3-01-by-haus-transdisciplinary-research\" target=\"_blank\">https:\/\/improperwalls.com\/events\/youai-i3-01-by-haus-transdisciplinary-research<\/a> <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">On stage<\/h2>\n\n\n\n<p>Choreographie, Tanz: Eva-Maria Kraft <\/p>\n\n\n\n<p>Schauspielerin:&nbsp;<a href=\"https:\/\/www.castforward.de\/members\/profile\/linda-pichler\">Linda Pichler<\/a> <\/p>\n\n\n\n<p>Discourse: Oliver Sch\u00fcrer <\/p>\n\n\n\n<p>Technische Supervision, Human-Robot-Interaction, AI control: Darja Stoeva<\/p>\n\n\n\n<p>a Humanoide Roboter Modell Pepper<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"ucj-4\">Credits<\/h2>\n\n\n\n<p>Concept, Artistic Direction: Eva-Maria Kraft, Oliver Sch\u00fcrer, Christoph Hubatschke<\/p>\n\n\n\n<p>Text, textbook, audience dialog: Oliver Sch\u00fcrer, Christoph Hubatschke<\/p>\n\n\n\n<p>DANCR development AI: Johann Petrak (OFAI), Brigitte Krenn (OFAI), Sridhar Bulusu<\/p>\n\n\n\n<p>HRI development: Darja Stoeva, Clara Haider, Helena Frijns&nbsp;<\/p>\n\n\n\n<p>Music: Rupert Huber, Thomas A. Pichler<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The performance youAI was produced in a coproduction by H.A.U.S. and brut Vienna.&nbsp;<\/h3>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2023\/02\/brut-CMYK-black-1024x302.png\" alt=\"\" class=\"wp-image-2492\" width=\"214\" height=\"48\"\/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">With the kind support of the Cultural Department of the City of Vienna and the BMK\u00d6S.<\/h3>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2023\/02\/Stadt_Wien_Kultur_pos_rgb-1024x294.jpg\" alt=\"\" class=\"wp-image-2494\" width=\"256\" height=\"74\" srcset=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2023\/02\/Stadt_Wien_Kultur_pos_rgb-1024x294.jpg 1024w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2023\/02\/Stadt_Wien_Kultur_pos_rgb-300x86.jpg 300w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2023\/02\/Stadt_Wien_Kultur_pos_rgb-768x220.jpg 768w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2023\/02\/Stadt_Wien_Kultur_pos_rgb-1536x441.jpg 1536w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2023\/02\/Stadt_Wien_Kultur_pos_rgb.jpg 1722w\" sizes=\"auto, (max-width: 256px) 100vw, 256px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2022\/03\/BMKOES_Logo-1024x275.jpg\" alt=\"\" class=\"wp-image-2457\" width=\"512\" height=\"138\" srcset=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2022\/03\/BMKOES_Logo-1024x275.jpg 1024w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2022\/03\/BMKOES_Logo-300x81.jpg 300w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2022\/03\/BMKOES_Logo-768x206.jpg 768w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2022\/03\/BMKOES_Logo-1536x413.jpg 1536w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2022\/03\/BMKOES_Logo.jpg 1723w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>A word and dance performance, discussing the training of so-called artificial intelligence systems. Our behavior in digital media is being used to train AI\u2019s ever more precisely, sometimes subtly, sometimes&hellip;<\/p>\n","protected":false},"author":2,"featured_media":2589,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[112,91,105,74,94,108,73,64,48,55],"tags":[100,98,133,53,60],"class_list":["post-2588","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artarchitecture","category-artificial-intelligence","category-darja-stoeva","category-discourse","category-eva-maria-kraft","category-hri","category-lecture","category-machina","category-oliver-schurer","category-performance","tag-darja-stoeva","tag-eva-maria-kraft","tag-linda-pichler","tag-oliver-schurer","tag-performance"],"_links":{"self":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/2588","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/comments?post=2588"}],"version-history":[{"count":14,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/2588\/revisions"}],"predecessor-version":[{"id":2632,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/2588\/revisions\/2632"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/media\/2589"}],"wp:attachment":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/media?parent=2588"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/categories?post=2588"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/tags?post=2588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}