{"id":2542,"date":"2023-03-24T13:43:04","date_gmt":"2023-03-24T13:43:04","guid":{"rendered":"https:\/\/h-a-u-s.org\/?p=2542"},"modified":"2024-09-19T11:54:45","modified_gmt":"2024-09-19T11:54:45","slug":"youai-train-adapt-perform","status":"publish","type":"post","link":"https:\/\/h-a-u-s.org\/index.php\/2023\/03\/24\/youai-train-adapt-perform\/","title":{"rendered":"youAI: train, adapt, perform – the dance-and-word performance"},"content":{"rendered":"\n

To generate data for training artificial intelligence systems, digital machines measure us – that is our human behaviors. But with every click, like, or selfie, Artificial Intelligence (AI) also trains us by demanding certain behaviors.
In youAI, we investigate the current equalization frenzy between humans and machines. At the intersection of technology, words, and contemporary dance, the performance addresses the newly emerging human-machine relationship: training.<\/p>\n\n\n\n

4 dancers, 1 actress, 2 engineers, 2 robots.<\/p>\n\n\n\n

As part of the performance, H.A.U.S. invites the audience to a dialogue. With changing experts from the fields of AI, robotics, society and art, H.A.U.S. and the audience will delve into the many topics dealt with in the piece.<\/p>\n\n\n\n

Premiered @ imagetanz festival 2023<\/p>\n\n\n\n

Press:
Der Standard https:\/\/www.derstandard.at\/story\/2000144568352\/die-wiener-gruppe-haus-streut-bei-imagetanz-zweifel-am-ki?ref=rss<\/a>
The Gap thegap.at\/imagetanz-2023-5-highlights-aus-dem-festivalprogramm\/<\/a> 
FAQ faq-magazine.com\/human-in-the-loop\/<\/a> <\/h5>\n\n\n\n

Trailer<\/strong><\/p>\n\n\n\n

(Video by Michael Loizenbauer, Music by Rupert Huber, Thomas A. Pichler)<\/figcaption><\/figure>\n\n\n\n

Glimpses<\/strong><\/p>\n\n\n\n

\"\"
Eva-Maria Kraft and Linda Pichler (front), Florian Decker (back right), Maria Mu\u00dfner, Darja Stoeva (back, left-right) \u00a9Michael Loizenbauer<\/figcaption><\/figure>\n\n\n\n
\"\"
Eva-Maria Kraft \u00a9Michael Loizenbauer<\/figcaption><\/figure>\n\n\n\n
\"\"
Linda Pichler \u00a9Michael Loizenbauer<\/figcaption><\/figure>\n\n\n\n
\"\"
Eva-Maria Kraft and Linda Pichler \u00a9Michael Loizenbauer<\/figcaption><\/figure>\n\n\n\n
\"\"
Darja Stoeva and Maria Mu\u00dfner \u00a9Michael Loizenbauer<\/figcaption><\/figure>\n\n\n\n
\"\"
Eva-Maria Kraft and Linda Pichler \u00a9Michael Loizenbauer<\/figcaption><\/figure>\n\n\n\n
\"\"
Eva-Maria Kraft \u00a9Michael Loizenbauer<\/figcaption><\/figure>\n\n\n\n

Events <\/h2>\n\n\n\n

Premiere Fri. 17.3.2023, 20:00 – Performance<\/p>\n\n\n\n

You, Society and AI – Talk
Michaela Pfadenhauer (Universti\u00e4t Wien, Soziologie),Oliver Sch\u00fcrer, Eva-Maria Kraft, Christoph Hubatschke.<\/p>\n\n\n\n

Sat. 18.3.2023, 20:00 – Performance<\/p>\n\n\n\n

You, Arts and AI – Talk
Margarete Jahrmann (Die Angewandte, arts-based research), Jesse de Pagter (Science and technology studies, curator), Oliver Sch\u00fcrer, Eva-Maria Kraft, Christoph Hubatschke.<\/p>\n\n\n\n

Sun. 19.3.2023, 20:00 – Performance<\/p>\n\n\n\n

You, Robots and AI – Talk
Christopher Frauenberger (Universit\u00e4t Salzburg, human-computer interaction), Darja Stoeva (Technische Universit\u00e4t Wien, human-robot interaction), Oliver Sch\u00fcrer, Eva-Maria Kraft, Christoph Hubatschke.<\/p>\n\n\n\n

Festival program brut<\/strong><\/strong> theater https:\/\/brut-wien.at\/de\/Programm\/Kalender\/Programm-2023\/03\/H.A.U.S<\/a> <\/strong><\/h6>\n\n\n\n

<\/p>\n\n\n\n

\"\"
C\u00e9line Weigt, Simeon Ohlsen, Florian Decker, Eva-Maria Kraft (left to right) \u00a9Christine Miess<\/figcaption><\/figure>\n\n\n\n
\"\"
Florian Decker, C\u00e9line Weigt, Simeon Ohlsen, Eva-Maria Kraft, Linda Pichler (left to right) \u00a9Christine Miess<\/figcaption><\/figure>\n\n\n\n

On stage<\/h2>\n\n\n\n

Choreographie, Tanz: Eva-Maria Kraft<\/p>\n\n\n\n

Actress: Linda Pichler<\/a> <\/p>\n\n\n\n

Trainees: Florian Decker, Simeon Ohlsen, C\u00e9line Weigt<\/p>\n\n\n\n

Tech Supervision, Human-Robot-Interaction: Maria Mu\u00dfner, Darja Stoeva<\/p>\n\n\n\n

2 Humanoide Robots Modell Pepper<\/p>\n\n\n\n

<\/p>\n\n\n\n

Credits<\/h2>\n\n\n\n

Concept, Artistic Direction: Eva-Maria Kraft, Oliver Sch\u00fcrer, Christoph Hubatschke<\/p>\n\n\n\n

Text, textbook, audience dialog: Oliver Sch\u00fcrer, Christoph Hubatschke<\/p>\n\n\n\n

DANCR development AI: Johann Petrak (OFAI), Brigitte Krenn (OFAI), Sridhar Bulusu<\/p>\n\n\n\n

youAI development AI: Sridhar Bulusu<\/p>\n\n\n\n

Stageing AI: Oliver Sch\u00fcrer<\/p>\n\n\n\n

HRI development: Darja Stoeva, Clara Haider, Helena Frijns <\/p>\n\n\n\n

Video, documentation: Michael Loizenbauer<\/p>\n\n\n\n

Light: Jon Maier<\/p>\n\n\n\n

Music: Rupert Huber, Thomas A. Pichler<\/p>\n\n\n\n

Dramaturgical consulting: Nikolaus Selimov<\/p>\n\n\n\n

Production: Eva-Maria Kraft<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"
Eva-Maria Kraft \u00a9Christine Miess<\/figcaption><\/figure>\n\n\n\n

youAI<\/strong>
On the other side, the training of an artificial intelligence system, based on the commonly used machine learning paradigm, means systematization of kinds of data by attaching arbitrary human descriptions of the data to the data, to allow this machine to learn to interpret that kind of data, according to those descriptions. This is archived by forming, proving, and predicting patterns. Arbitrary standardizations and all kinds of prejudices, and biases are the results of this form of training. The ubiquitous use of artificial intelligence not only reproduces these discriminations, it reinforces them. youAI addresses the usually ignored somatic-material aspects of artificial intelligence as well as the so fare untold entanglements of AIs with human bodies and movements. With the piece, we explore possibilities for a different AI and we experiment with training processes at the intersection of technology, words, and dance.<\/p>\n\n\n\n

\"\"
Eva-Maria Kraft and Linda Pichler \u00a9Christine Miess<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

Eine Koproduktion von H.A.U.S. und brut Wien. <\/strong><\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

Mit freundlicher Unterst\u00fctzung der Kulturabteilung der Stadt Wien und des BMK\u00d6S. <\/strong><\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

To generate data for training artificial intelligence systems, digital machines measure us – that is our human behaviors. But with every click, like, or selfie, Artificial Intelligence (AI) also trains…<\/p>\n","protected":false},"author":2,"featured_media":2571,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[112,91,51,105,74,94,140,130,73,64,131,48,55,96,97,103,47],"tags":[134,59,100,98,139,133,132,53,60],"class_list":["post-2542","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artarchitecture","category-artificial-intelligence","category-christoph-hubatschke","category-darja-stoeva","category-discourse","category-eva-maria-kraft","category-florian-decker","category-imagetanz-festival-2023","category-lecture","category-machina","category-maria-musner","category-oliver-schurer","category-performance","category-robotics","category-rupert-huber","category-thomas-a-pichler","category-video","tag-artificial-intelligence","tag-christoph-hubatschke","tag-darja-stoeva","tag-eva-maria-kraft","tag-florian-decker","tag-linda-pichler","tag-maria-musner","tag-oliver-schurer","tag-performance"],"_links":{"self":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/2542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/comments?post=2542"}],"version-history":[{"count":23,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/2542\/revisions"}],"predecessor-version":[{"id":3186,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/2542\/revisions\/3186"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/media\/2571"}],"wp:attachment":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/media?parent=2542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/categories?post=2542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/tags?post=2542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}