{"id":2476,"date":"2023-02-20T10:00:00","date_gmt":"2023-02-20T10:00:00","guid":{"rendered":"https:\/\/h-a-u-s.org\/?p=2476"},"modified":"2023-03-22T14:41:34","modified_gmt":"2023-03-22T14:41:34","slug":"upcoming-youai-train-adapt-perform","status":"publish","type":"post","link":"https:\/\/h-a-u-s.org\/index.php\/2023\/02\/20\/upcoming-youai-train-adapt-perform\/","title":{"rendered":"> upcoming: youAI – train, adapt, perform"},"content":{"rendered":"\n

a dance-and-word performance @ imagetanz festival 2023<\/h2>\n\n\n\n

To generate data for training artificial intelligences, digital machines measure us humans. But with every click, like or selfie, Artificial Intelligence (AI) also trains us. In youAI, the transdisciplinary research group H.A.U.S. investigates the current equalization frenzy between humans and machines. At the intersection of technology, words and contemporary dance, the performance addresses the newly emerging human-machine relationship: training.<\/p>\n\n\n\n

4 dancers, 1 actress, 2 engineers, 2 robots.<\/p>\n\n\n\n

As part of the performance, H.A.U.S. invites the audience to a dialogue. With changing experts from the fields of AI, robotics, society and art, H.A.U.S. and the audience will delve into the many topics dealt with in the piece.<\/p>\n\n\n\n

Festival program brut<\/strong><\/strong> theater https:\/\/brut-wien.at\/de\/Programm\/Kalender\/Programm-2023\/03\/H.A.U.S<\/a> <\/strong><\/h6>\n\n\n\n
Teaser \u00a9Michael Loizenbauer<\/figcaption><\/figure>\n\n\n\n
Press:
Der Standard https:\/\/www.derstandard.at\/story\/2000144568352\/die-wiener-gruppe-haus-streut-bei-imagetanz-zweifel-am-ki?ref=rss<\/a>
The Gap thegap.at\/imagetanz-2023-5-highlights-aus-dem-festivalprogramm\/<\/a>\u00a0
FAQ faq-magazine.com\/human-in-the-loop\/<\/a> <\/h5>\n\n\n\n
\"\"
Eva-Maria Kraft dancer, robot Machina \u00a9Michael Loizenbauer<\/figcaption><\/figure>\n\n\n\n

Performances <\/h2>\n\n\n\n

Premiere Fri. 17.3.2023, 20:00 – Performance<\/p>\n\n\n\n

You, Society and AI – Talk
Brigitte Krenn (OFAI, artificial intelligence research), <\/em>Michaela Pfadenhauer (Universti\u00e4t Wien, Soziologie),Oliver Sch\u00fcrer, Eva-Maria Kraft, Christoph Hubatschke.<\/p>\n\n\n\n

Sat. 18.3.2023, 20:00 – Performance<\/p>\n\n\n\n

You, Arts and AI – Talk
Margarete Jahrmann (Die Angewandte, arts-based research), Jesse de Pagter (Science and technology studies, curator), Oliver Sch\u00fcrer, Eva-Maria Kraft, Christoph Hubatschke.<\/p>\n\n\n\n

Sun. 19.3.2023, 20:00 – Performance<\/p>\n\n\n\n

You, Robots and AI – Talk
Christopher Frauenberger (Universit\u00e4t Salzburg, human-computer interaction), Darja Stoeva (Technische Universit\u00e4t Wien, human-robot interaction), Oliver Sch\u00fcrer, Eva-Maria Kraft, Christoph Hubatschke.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"
Eva-Maria Kraft dancer, robot Machina, Linda Pichler actor \u00a9Michael Loizenbauer<\/figcaption><\/figure>\n\n\n\n

On stage<\/h2>\n\n\n\n

Choreographie, Tanz: Eva-Maria Kraft<\/p>\n\n\n\n

Schauspielerin: Linda Pichler<\/a> <\/p>\n\n\n\n

Trainees: Florian Decker, Simeon Ohlsen, C\u00e9line Weigt<\/p>\n\n\n\n

Technische Supervision, Human-Robot-Interaction: Maria Mu\u00dfner, Darja Stoeva<\/p>\n\n\n\n

2 Humanoide Roboter Modell Pepper<\/p>\n\n\n\n

<\/p>\n\n\n\n

Credits<\/h2>\n\n\n\n

Concept, Artistic Direction: Eva-Maria Kraft, Oliver Sch\u00fcrer, Christoph Hubatschke<\/p>\n\n\n\n

Text, textbook, audience dialog: Oliver Sch\u00fcrer, Christoph Hubatschke<\/p>\n\n\n\n

DANCR development AI: Johann Petrak (OFAI), Brigitte Krenn (OFAI), Sridhar Bulusu<\/p>\n\n\n\n

youAI development AI: Sridhar Bulusu<\/p>\n\n\n\n

Stageing AI: Oliver Sch\u00fcrer<\/p>\n\n\n\n

HRI development: Darja Stoeva, Clara Haider, Helena Frijns <\/p>\n\n\n\n

Video, documentation: Michael Loizenbauer<\/p>\n\n\n\n

Light: Jon Maier<\/p>\n\n\n\n

Music: Rupert Huber, Thomas A. Pichler<\/p>\n\n\n\n

Dramaturgical consulting: Nikolaus Selimov<\/p>\n\n\n\n

Production: Eva-Maria Kraft<\/p>\n\n\n\n

<\/p>\n\n\n\n

Eine Koproduktion von H.A.U.S. und brut Wien. <\/strong><\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

Mit freundlicher Unterst\u00fctzung der Kulturabteilung der Stadt Wien und des BMK\u00d6S. <\/strong><\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

youAI
The credo of societal flexibility demands continuous adaptation, increased efficiency, and uniformity, which in turn themselves demand training. On the one hand, this means actively adapting human bodies and mindsets – internalizing, conditioning and making them proficient. On the other hand, in relation to artificial intelligences, training also means forming, proving and predicting patterns. Arbitrary standardizations and the training of all kinds of prejudices, biases, are the results of these forms of training. The ubiquitous use of artificial intelligences not only reproduces these discriminations, it reinforces them. And what doesn’t fit is made to fit. youAI addresses the usually ignored material aspects of artificial intelligences as well as their entanglements with bodies and movements. The piece explores possibilities for a different AI and experiments with training processes at the intersection of technology, words and dance. <\/p>\n\n\n\n

\"\"
Eva-Maria Kraft, robot Machina \u00a9Michael Loizenbauer<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

a dance-and-word performance @ imagetanz festival 2023 To generate data for training artificial intelligences, digital machines measure us humans. But with every click, like or selfie, Artificial Intelligence (AI) also…<\/p>\n","protected":false},"author":4,"featured_media":2478,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[112,91,51,105,94,130,73,64,131,48,55,96,97,103,47],"tags":[60],"class_list":["post-2476","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artarchitecture","category-artificial-intelligence","category-christoph-hubatschke","category-darja-stoeva","category-eva-maria-kraft","category-imagetanz-festival-2023","category-lecture","category-machina","category-maria-musner","category-oliver-schurer","category-performance","category-robotics","category-rupert-huber","category-thomas-a-pichler","category-video","tag-performance"],"_links":{"self":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/2476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/comments?post=2476"}],"version-history":[{"count":41,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/2476\/revisions"}],"predecessor-version":[{"id":2541,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/2476\/revisions\/2541"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/media\/2478"}],"wp:attachment":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/media?parent=2476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/categories?post=2476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/tags?post=2476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}