{"id":2368,"date":"2021-11-08T16:32:41","date_gmt":"2021-11-08T16:32:41","guid":{"rendered":"https:\/\/h-a-u-s.org\/?p=2368"},"modified":"2021-11-29T11:23:14","modified_gmt":"2021-11-29T11:23:14","slug":"roussel-machine-at-vienna-art-week-material-silencing","status":"publish","type":"post","link":"https:\/\/h-a-u-s.org\/index.php\/2021\/11\/08\/roussel-machine-at-vienna-art-week-material-silencing\/","title":{"rendered":"Roussel-Machine text-AI at Vienna Art Week Losing Control \/ MATERIAL SILENCING"},"content":{"rendered":"\n<p>MATERIAL SILENCING: DICHTES VERSTUMMEN <br>Topoi of Posthumanism at Vienna Art Week.<\/p>\n\n\n\n<p><br>While in surrealism speakers took on the role of a medium between the imitation of nature and language symbolically \/ iconically, in posthumanism non-human beings and technologies become the indexical medium of speech.<br>Performative works by Ulla Rauter, Klaus Spiess und Oliver Sch\u00fcrer.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Ulla is making a river talk by means of AI.<br>The Roussel-Machine AI and Oliver improvising on the the becoming evident of meaning.<br>Rotraut together with Klaus will perform with the audience and a host of saliva bacteria processed with the bioreactor on site.<\/p>\n\n\n\n<p>12\/11\/2021, 18\u201420h, Expositur Widerhofergasse 7, 1090 Wien <br><em>Registration required<\/em>: silvia.rapp@meduniwien.ac.at<br><a href=\"https:\/\/www.viennaartweek.at\/de\/program\/dichtes-verstummen\">https:\/\/www.viennaartweek.at\/de\/program\/dichtes-verstummen<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Information on the Roussel-Machine text-AI<\/h2>\n\n\n\n<p>See <a rel=\"noreferrer noopener\" href=\"https:\/\/h-a-u-s.org\/index.php\/2017\/11\/08\/roussel-machine-to-liquify-lingo-spatial-assemblages\/\" target=\"_blank\">here<\/a> on artistic research on language and space, and it&#8217;s AI development as well as it&#8217;s application development.<\/p>\n\n\n\n<p>To access the algorithm of the Roussel-Machine we have developed different interfaces: For reading=writing by an individual. For the interaction of a crowd, where reading=writing is physically acted out in a jointly generated political space.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized is-style-default\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2021\/11\/roussel-machine-web-interface-2021-11-28-1024x693.png\" alt=\"\" class=\"wp-image-2405\" width=\"730\" height=\"494\" srcset=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2021\/11\/roussel-machine-web-interface-2021-11-28-1024x693.png 1024w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2021\/11\/roussel-machine-web-interface-2021-11-28-300x203.png 300w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2021\/11\/roussel-machine-web-interface-2021-11-28-768x520.png 768w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2021\/11\/roussel-machine-web-interface-2021-11-28-1536x1039.png 1536w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2021\/11\/roussel-machine-web-interface-2021-11-28-2048x1386.png 2048w\" sizes=\"auto, (max-width: 730px) 100vw, 730px\" \/><figcaption>Roussel-Machine AI interacting with an individual author 2021. <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"725\" height=\"431\" src=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2021\/07\/Picture2.png\" alt=\"\" class=\"wp-image-2308\" srcset=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2021\/07\/Picture2.png 725w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2021\/07\/Picture2-300x178.png 300w\" sizes=\"auto, (max-width: 725px) 100vw, 725px\" \/><figcaption>Roussel-Machine AI performing in disguise of G.A.I.A.; a participative performance at &#8220;verm\u00f6gen&#8221; media arts festival 2017.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>MATERIAL SILENCING: DICHTES VERSTUMMEN Topoi of Posthumanism at Vienna Art Week. While in surrealism speakers took on the role of a medium between the imitation of nature and language symbolically&hellip;<\/p>\n","protected":false},"author":4,"featured_media":2405,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62,91,74,73,48,55,92],"tags":[53],"class_list":["post-2368","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-artificial-intelligence","category-discourse","category-lecture","category-oliver-schurer","category-performance","category-roussel-machine","tag-oliver-schurer"],"_links":{"self":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/2368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/comments?post=2368"}],"version-history":[{"count":20,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/2368\/revisions"}],"predecessor-version":[{"id":2433,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/2368\/revisions\/2433"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/media\/2405"}],"wp:attachment":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/media?parent=2368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/categories?post=2368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/tags?post=2368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}