{"id":2313,"date":"2021-07-25T14:44:19","date_gmt":"2021-07-25T14:44:19","guid":{"rendered":"https:\/\/h-a-u-s.org\/?p=2313"},"modified":"2022-01-24T14:09:38","modified_gmt":"2022-01-24T14:09:38","slug":"hands-becoming-and-produced","status":"publish","type":"post","link":"https:\/\/h-a-u-s.org\/index.php\/2021\/07\/25\/hands-becoming-and-produced\/","title":{"rendered":"Hands – Hands made and become, Video clip with text published"},"content":{"rendered":"\n

A juxtaposition of text and video.<\/p>\n\n\n\n

In a commissioned work for the Technical Museum Vienna, Oliver wrote a text about robot hands. This work is in the context of the current AI exhibition. Together with Eva (performance), Sebastian (video) and Thomas (music), he developed a video on human and robotic hands.<\/p>\n\n\n\n

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Video still from “H\u00e4nde, gemachte und gewordene”<\/figcaption><\/figure>\n\n\n\n

Robots are inanimate entities. Without stressing anthropomorphism, interpretations or projections – are there conditions for the possibility that robots could have a being-with us? The video discusses potential qualities of intra-action between humans and robots. Performatively, an aesthetic of the fragmented unity of hands that have become and hands that have been made, as parts of a living body or technical body, is outlined.<\/p>\n\n\n\n

https:\/\/www.technischesmuseum.at\/ki-zine_roboterhaende_sind_anders<\/a><\/p>\n\n\n\n

Video “H\u00e4nde, gemachte und gewordene” – “Hands – made and become.”<\/a><\/p>\n\n\n\n

Choreographie und Performance: Eva-Maria Kraft
Robotersteuerung: Darja Stoeva
Musik: Thomas A. Pichler
Konzept, Montage: Oliver Sch\u00fcrer
DOP, Grading: Sebastian Weissinger
Roboter: Machina, Modell Pepper<\/p>\n\n\n\n

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Video still from “H\u00e4nde, gemachte und gewordene”<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

A juxtaposition of text and video. In a commissioned work for the Technical Museum Vienna, Oliver wrote a text about robot hands. This work is in the context of the…<\/p>\n","protected":false},"author":2,"featured_media":2320,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[112,105,94,108,64,48,55,103,47],"tags":[100,98,53,111],"class_list":["post-2313","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artarchitecture","category-darja-stoeva","category-eva-maria-kraft","category-hri","category-machina","category-oliver-schurer","category-performance","category-thomas-a-pichler","category-video","tag-darja-stoeva","tag-eva-maria-kraft","tag-oliver-schurer","tag-thomas-a-pichler"],"_links":{"self":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/2313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/comments?post=2313"}],"version-history":[{"count":12,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/2313\/revisions"}],"predecessor-version":[{"id":2450,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/2313\/revisions\/2450"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/media\/2320"}],"wp:attachment":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/media?parent=2313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/categories?post=2313"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/tags?post=2313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}