{"id":1909,"date":"2020-01-19T13:11:07","date_gmt":"2020-01-19T13:11:07","guid":{"rendered":"https:\/\/h-a-u-s.org\/?p=1909"},"modified":"2020-04-08T16:02:40","modified_gmt":"2020-04-08T16:02:40","slug":"upcoming-lecture-and-performance-at-the-folkwang-museum-essen","status":"publish","type":"post","link":"https:\/\/h-a-u-s.org\/index.php\/2020\/01\/19\/upcoming-lecture-and-performance-at-the-folkwang-museum-essen\/","title":{"rendered":"upcoming > Lecture and performance at the Folkwang Museum 12+14.3.20"},"content":{"rendered":"\n<p>H.A.U.S. double-feature in the context of the <br><a href=\"https:\/\/www.museum-folkwang.de\/en\/news\/exhibitions\/future-exhibitions\/der-montierte-mensch.html\">Exhibition &#8220;The Assembled Human&#8221;,<\/a><br><a href=\"https:\/\/www.museum-folkwang.de\/de\/aktuelles\/ausstellungen\/ausblick\/der-montierte-mensch.html\">Ausstellung &#8220;Der montierte Mensch&#8221;<\/a>, 8. November 2019 \u2013 15. March 2020,<br>at the Folkwang Museum.<br><a href=\"https:\/\/www.museum-folkwang.de\/de\/aktuelles\/ausstellungen\/ausblick\/der-montierte-mensch\/veranstaltungen-zu-der-montierte-mensch.html\">Events at the exhibition<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/10\/IMG_8292-768x1024.jpeg\" alt=\"\" class=\"wp-image-1862\" srcset=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/10\/IMG_8292-768x1024.jpeg 768w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/10\/IMG_8292-225x300.jpeg 225w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption>Eva-Maria Kraft, Thomas A. Pichler, Robot Machina performing ITTEN, BREATH, ROBOT 12\/2020 (Photo Richard Pobaschnig)<\/figcaption><\/figure>\n\n\n\n<p><strong>Automatisms and Architecture: Obsessions and the human-machine continuum<\/strong><br>Lecture by Oliver Sch\u00fcrer, Do, 12.3., 18 Uhr<\/p>\n\n\n\n<p>Today, self-controlling technologies are increasingly penetrating the objects and spaces of our everyday life. Architecture faces the challenge of developing concepts for things that control themselves as if they were alive. But we have no references for this in our dualistic Western culture. Thus, the lecture will present projects from a historical perspective in which the obsession with automatisms led to original or groundbreaking architectural ideas &#8211; such as Le Corbusier&#8217;s shadow facades. These obsessions make accessible new ways of meeting today&#8217;s challenges: Research in social robotics and social artificial intelligence in architecture, using the example of the transdisciplinary research group H.A.U.S<\/p>\n\n\n\n<p><strong>Automatismen und Architektur: Obsessionen und das Mensch-Maschine Kontinuum<\/strong><\/p>\n\n\n\n<p>Heute dringen selbststeuernde Technologien zunehmend in die Objekte und R\u00e4ume unseres Alltags ein. Architektur steht vor der Herausforderung Konzepte f\u00fcr Dinge zu entwickeln, die sich selbst steuern als w\u00e4ren sie lebendig. Daf\u00fcr haben wir aber in der dualistischen westlichen Kultur keine Referenzen. So werden im Vortrag Projekte aus historischer Perspektive vorgestellt, bei denen die Obsessionen an Automatismen zu originellen oder bahnbrechenden architektonischen Ideen f\u00fchrten &#8211; wie etwa Le Corbusiers Schatten-Fassaden. Diese Obsessionen machen die neue Arten und Weisen zug\u00e4nglich, wie den heutigen Herausforderungen begegnet wird: Forschung in sozialer Robotik und sozialer k\u00fcnstlicher Intelligenz in der Architektur, am Beispiel der transdisziplin\u00e4ren Forschungsgruppe H.A.U.S.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2020\/01\/20191026-RI_P5688-1024x683.jpg\" alt=\"\" class=\"wp-image-1918\" srcset=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2020\/01\/20191026-RI_P5688-1024x683.jpg 1024w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2020\/01\/20191026-RI_P5688-300x200.jpg 300w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2020\/01\/20191026-RI_P5688-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Eva-Maria Kraft, Thomas A. Pichler, Robot Machina performing ITTEN, BREATH, ROBOT 12\/19 at Gallerie Magazin, Vienna (Photo Richard Pobaschnig).<\/figcaption><\/figure>\n\n\n\n<p><strong>Improvisation in the human-machine continuum<\/strong><br>Performance Sa, 14.3., 15 Uhr, by and with <br>Eva-Maria Kraft (Dance, Choreography), <br>Thomas A. Pichler playing the Cellare  (Music), <br>Modell Pepper (humaoid Robot, <br>Helena Frijns, Darja Stoeva  (Programming and controll), <br>Oliver Sch\u00fcrer (Concept, production)<\/p>\n\n\n\n<p>Homo sapiens unfolds inside and by contraptions and machines. New technologies, such as artificial intelligence and robotics, question the capabilities of our bodies by imitating both, human thinking and sensuality. In the past, industrialisation has made our strength and pace obsolete. Today, our intelligence and our dexterity seem to become obsolete. Again, we have to reinvent our existence as bodies &#8211; in contrast to the machines we have invented. What are we capable of? How do we want to become?<\/p>\n\n\n\n<p>This H.A.U.S. Performance discusses the intimate vis-a-vis of very different bodies in the human-machine continuum by means of improvisation. <\/p>\n\n\n\n<p><strong>Improvisation im Mensch-Maschine-Kontinuum<\/strong><\/p>\n\n\n\n<p>Der Homo sapiens entfalten sich in und mit Ger\u00e4ten und Maschinen. Neue Technologien, wie k\u00fcnstliche Intelligenz und Robotik, stellen die F\u00e4higkeiten unserer K\u00f6rper in Frage, indem sie menschliche Denkf\u00e4higkeit und Sinnlichkeit imitieren. In der Vergangenheit hat die Industrialisierung unsere Kraft und unser Tempo obsolet gemacht. Heute scheinen unsere Intelligenz und unsere Geschicklichkeit obsolet zu werden. Wieder m\u00fcssen wir das Existieren als K\u00f6rper neu erfinden &#8211; im Gegen\u00fcber zu den von uns erfunden Maschinen. Wozu sind wir f\u00e4hig? Wie wollen wir werden?<\/p>\n\n\n\n<p>Diese H.A.U.S. Performance diskutiert das intime Vis-a-vis von sehr unterschiedlichen K\u00f6rpern im sich weiter auspr\u00e4genden Mensch-Maschine Kontinuum durch Mittel der Improvisation.<\/p>\n\n\n\n<p>The invitation came because the curators were interested in Oliver&#8217;s 2012 book &#8220;Automatismen und Architektur&#8221; at Springer, ISBN: 978-3-211-79195-0.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"784\" src=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2020\/04\/automatisemen-buch-cover-front-back-1024x784.png\" alt=\"\" class=\"wp-image-1978\" srcset=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2020\/04\/automatisemen-buch-cover-front-back-1024x784.png 1024w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2020\/04\/automatisemen-buch-cover-front-back-300x230.png 300w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2020\/04\/automatisemen-buch-cover-front-back-768x588.png 768w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2020\/04\/automatisemen-buch-cover-front-back.png 1164w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>H.A.U.S. double-feature in the context of the Exhibition &#8220;The Assembled Human&#8221;,Ausstellung &#8220;Der montierte Mensch&#8221;, 8. November 2019 \u2013 15. March 2020,at the Folkwang Museum.Events at the exhibition Automatisms and Architecture:&hellip;<\/p>\n","protected":false},"author":2,"featured_media":1894,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[63,62,105,94,104,48,103],"tags":[100,98,99,79,53,60],"class_list":["post-1909","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture","category-art","category-darja-stoeva","category-eva-maria-kraft","category-helena-frijns","category-oliver-schurer","category-thomas-a-pichler","tag-darja-stoeva","tag-eva-maria-kraft","tag-helena-frijns","tag-lecture","tag-oliver-schurer","tag-performance"],"_links":{"self":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/1909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/comments?post=1909"}],"version-history":[{"count":9,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/1909\/revisions"}],"predecessor-version":[{"id":1979,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/1909\/revisions\/1979"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/media\/1894"}],"wp:attachment":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/media?parent=1909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/categories?post=1909"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/tags?post=1909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}