{"id":1747,"date":"2019-06-25T10:04:05","date_gmt":"2019-06-25T10:04:05","guid":{"rendered":"https:\/\/h-a-u-s.org\/?p=1747"},"modified":"2023-08-12T18:36:07","modified_gmt":"2023-08-12T18:36:07","slug":"upcoming-tanz-performance-mit-gesprach-robotik-ki-und-forschung-in-performance-und-raum-kunst","status":"publish","type":"post","link":"https:\/\/h-a-u-s.org\/index.php\/2019\/06\/25\/upcoming-tanz-performance-mit-gesprach-robotik-ki-und-forschung-in-performance-und-raum-kunst\/","title":{"rendered":"upcoming> Tanz-Performance cycle 7, mit  Gespr\u00e4ch Robotik, KI und Forschung in Performance- und Raumkunst"},"content":{"rendered":"\n<p><strong>eine interaktive Ausstellung, transdisziplin\u00e4res Forschungslabor, Ort des Diskurses und B\u00fchne f\u00fcr Tanzperformance <\/strong>cycle 7<strong>. <\/strong><br><strong>27.6. Galerie Spitzer\/Odeon Theater.<\/strong><\/p>\n\n\n\n<p><strong>27.6.2019<\/strong><br>19h Ankommen<br>19:30 <strong>Tanz-Performance<\/strong> (pay as you wish)<br>20h <strong>Gespr\u00e4ch<\/strong><br>20:30 <strong>Feier<\/strong>, Finissage Ausstellung<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/06\/vic_0321_48066049931_o-1024x683.jpg\" alt=\"\" class=\"wp-image-1748\" srcset=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/06\/vic_0321_48066049931_o-1024x683.jpg 1024w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/06\/vic_0321_48066049931_o-300x200.jpg 300w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/06\/vic_0321_48066049931_o-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Eva-Maria Kraft tanzt mit zwei humanoiden Robotern Modell Pepper. Tanzperformance \u201cNingy\u014d-buri, Doppelg\u00e4nger, cycle 7\u2033 im Spitzer\/Odeon Thearer Wien, Juni 2019 (Photography by Victor Brazdil)<\/figcaption><\/figure>\n\n\n\n<p><strong>Tanz-Performance \u201cDoppelg\u00e4nger\u201d cycle 7 \u201cNingy\u014d-buri\u201d<\/strong><br>Roboter und K\u00fcnstliche Intelligenzen sind im Begriff, in unsere private und intime Lebenswelt einzudringen. Welche Beziehungen wollen wir zu diesen v\u00f6llig neuen Formen von Technologie entwickeln? Referenz sind das japanische Bunraku, eine Form des Puppentheaters und des Singspiels, sowie ein Text des Dichters Jean Paul \u2013 beides stammt aus dem 18. Jahrhundert. In der Performance werden die Ausdrucksm\u00f6glichkeiten eines humanoiden Roboters mit den Bewegungsqualit\u00e4ten einer T\u00e4nzerin konfrontiert. Die fragile Verbundenheit zwischen Mensch und Maschine stellt posthumane Aspekte zur Diskussion. Der Status Subjekt und Objekt kann nur vage zugeordnet werden: Wer spiegelt wen? Wer steuert wen?&nbsp;<\/p>\n\n\n\n<p><strong>Gespr\u00e4ch Robotik, KI und Forschung in Performance und Raum Kunst<\/strong><br>Margarete Jahrmann &#8211; Professorin Artistic Research,<br>Helmut Ploebst &#8211; Kritik Tanz-Performances,&nbsp;<br>Thomas Jelinek &#8211; Dramaturg und transdisziplin\u00e4r arbeitender Regisseur,<br>Oliver Sch\u00fcrer &#8211; Robotik, KI und Raum,&nbsp;<br>Moderation: Christoph Hubatschke &#8211; Technikphilosoph<\/p>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"mce_10\"><strong>Erm\u00f6glicht durch F\u00f6rderung von\ufeff<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/05\/BKA_Logo_srgb-1024x181.png\" alt=\"\" class=\"wp-image-1699\" width=\"256\" height=\"45\" srcset=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/05\/BKA_Logo_srgb-1024x181.png 1024w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/05\/BKA_Logo_srgb-300x53.png 300w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/05\/BKA_Logo_srgb-768x136.png 768w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/05\/BKA_Logo_srgb.png 1202w\" sizes=\"auto, (max-width: 256px) 100vw, 256px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/05\/BMEIA_Logo_srgb_EN-1024x481.png\" alt=\"\" class=\"wp-image-1697\" width=\"256\" height=\"120\" srcset=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/05\/BMEIA_Logo_srgb_EN-1024x481.png 1024w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/05\/BMEIA_Logo_srgb_EN-300x141.png 300w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/05\/BMEIA_Logo_srgb_EN-768x361.png 768w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/05\/BMEIA_Logo_srgb_EN.png 1252w\" sizes=\"auto, (max-width: 256px) 100vw, 256px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/05\/MA7.png\" alt=\"\" class=\"wp-image-1700\" width=\"200\" height=\"61\" srcset=\"https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/05\/MA7.png 400w, https:\/\/h-a-u-s.org\/wp-content\/uploads\/2019\/05\/MA7-300x92.png 300w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/figure>\n\n\n\n<p><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>eine interaktive Ausstellung, transdisziplin\u00e4res Forschungslabor, Ort des Diskurses und B\u00fchne f\u00fcr Tanzperformance cycle 7. 27.6. Galerie Spitzer\/Odeon Theater. 27.6.201919h Ankommen19:30 Tanz-Performance (pay as you wish)20h Gespr\u00e4ch20:30 Feier, Finissage Ausstellung Tanz-Performance&hellip;<\/p>\n","protected":false},"author":2,"featured_media":1748,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[63,62,51,50,105,74,94,4,104,48,55,97],"tags":[59,58,135,98,53,60],"class_list":["post-1747","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture","category-art","category-christoph-hubatschke","category-christoph-muller","category-darja-stoeva","category-discourse","category-eva-maria-kraft","category-event","category-helena-frijns","category-oliver-schurer","category-performance","category-rupert-huber","tag-christoph-hubatschke","tag-christoph-muller","tag-doppelganger-cycle","tag-eva-maria-kraft","tag-oliver-schurer","tag-performance"],"_links":{"self":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/1747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/comments?post=1747"}],"version-history":[{"count":9,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/1747\/revisions"}],"predecessor-version":[{"id":2655,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/1747\/revisions\/2655"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/media\/1748"}],"wp:attachment":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/media?parent=1747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/categories?post=1747"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/tags?post=1747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}