{"id":1600,"date":"2019-05-04T14:58:12","date_gmt":"2019-05-04T14:58:12","guid":{"rendered":"https:\/\/h-a-u-s.org\/?p=1600"},"modified":"2023-08-12T18:41:38","modified_gmt":"2023-08-12T18:41:38","slug":"next-doppelganger-dance-performance-cycle-ningyo-buri","status":"publish","type":"post","link":"https:\/\/h-a-u-s.org\/index.php\/2019\/05\/04\/next-doppelganger-dance-performance-cycle-ningyo-buri\/","title":{"rendered":"upcoming> Dance-Performance “Doppelg\u00e4nger” cycle 5, 6, and 7, “Ningy\u014d-buri”"},"content":{"rendered":"\n
Tanz-Performance -Doppelg\u00e4nger alle Events- Pressetext, dt<\/a>Download<\/a><\/div>\n\n\n\n
Dance Performance -Doppelg\u00e4nger all events- press text, en<\/a>Download<\/a><\/div>\n\n\n\n

Robots and artificial intelligence are poised to become part of our private and even our intimate lives. What kind of relation- ships do we want to develop with these completely new forms of technology?
\nThe piece references bunraku, a Japanese form of puppet theatre and light opera, and a text by the poet Jean Paul \u2013 both of which originate from the 18th century. In the performance, the modes of expression available to a humanoid robot are brought into confrontation with the improvisational approach of a dancer. The fragile connection between person and machine raises questions concerning the posthuman. The roles of subject and object can only be ascribed vaguely: who here is the player, and who is being played? <\/p>\n\n\n\n

Roboter und K\u00fcnstliche Intelligenzen sind im Begriff, in unsere private und intime Lebenswelt einzudringen. Welche Beziehungen wollen wir zu diesen v\u00f6llig neuen Formen von Technologie entwickeln?
\nReferenz sind das japanische Bunraku, eine Form des Puppentheaters und des Singspiels, sowie ein Text des Dichters Jean Paul \u2013 beides stammt aus dem 18. Jahrhundert. In der Performance werden die Ausdrucksm\u00f6glichkeiten eines humanoiden Roboters mit den Improvisationsqualit\u00e4ten einer T\u00e4nzerin konfrontiert. Die fragile Verbundenheit zwischen Mensch und Maschine stellt posthumane Aspekte zur Diskussion. Der Status Subjekt und Objekt kann nur vage zugeordnet werden: Wer ist hier Spieler\/in, wer wird gespielt?<\/p>\n\n\n\n

Conference \u201cArt, Architecture and Technology” to celebrate the 150 Years of diplomatic relations between Japan and Austria<\/strong>
by Japan Society for the Promotion of Science.
www.jsps-bonn.de\/veranstaltungen\/symposium\/2019<\/a>
25.5., 14:30 at the at TU Kuppelsaal (closed society)<\/p>\n\n\n\n

Volkstheater Vienna, Festival \u201c#digitalnatives19\u201d<\/strong>
www.volkstheater.at\/stueck\/doppelgaenger<\/a>
31.5., 17h and 18h
1.6., 13h and 14h <\/p>\n\n\n\n

Gallery Spitzer\/Odeon theatre, <\/strong>
Performative installation<\/strong> <embracing the other> <\/strong>
13-27.6. with 2 performances and a discourse event.
im-spitzer.net <\/a>
13.6., 19h performance and vernissage
installation: interaction with <the other> an artificial intelligence and an artificial body.
20.6., 19h at performance
installation: interaction with <the other> an artificial intelligence and an artificial body.
27.6., 19h discourse and finissage <\/p>\n\n\n\n

\"\"
Eva-Maria Kraft performing \u201cDoppelg\u00e4nger\u201d, cycle 2, with the humanoid robot model pepper, 9\/18 at the international experts conference “Digitalisation of Work\u201d at the Austria Center Vienna. Copyright BKA Federal Ministry of Labour, Social Affairs, Health and Consumer Protection\/Christopher Dunker<\/figcaption><\/figure>\n\n\n\n
\"\"
Eva-Maria Kraft performing \u201cDoppelg\u00e4nger\u201d, cycle 1, with the humanoid robot model pepper, 9\/18 in Banska Bystica at the Kre:\u03c0 performance art festival. Copyright Hamzik Castro<\/figcaption><\/figure>\n\n\n\n

People performing<\/strong><\/h3>\n\n\n\n

Performance<\/strong><\/h4>\n\n\n\n

Eva-Maria Kraft\n(choreography, dance), Sebastian Michael (recitor), Rupert Huber (composition, piano),\nThomas Jelinek (dramaturgy)<\/p>\n\n\n\n

Robot programming<\/strong><\/h4>\n\n\n\n

Helena\nFrijns, Darja Stoeva, Christoph M\u00fcller<\/p>\n\n\n\n

Stage set<\/strong> <\/h4>\n\n\n\n

Christoph\nM\u00fcller, Anel Bucan<\/p>\n\n\n\n

Social science monitoring and evaluation<\/strong><\/h4>\n\n\n\n

Christian Fiedler, Christoph Hubatschke, Marlene Kollmayer, Isabel Schwaninger<\/p>\n\n\n\n

Contact, concept, director<\/strong><\/h4>\n\n\n\n

Oliver Sch\u00fcrer <\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Cooperations<\/strong><\/h4>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Performative installation funded by<\/strong><\/h4>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

Robots and artificial intelligence are poised to become part of our private and even our intimate lives. What kind of relation- ships do we want to develop with these completely…<\/p>\n","protected":false},"author":2,"featured_media":1602,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[63,62,51,50,94,48,55,1],"tags":[59,58,135,98,53,60],"class_list":["post-1600","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture","category-art","category-christoph-hubatschke","category-christoph-muller","category-eva-maria-kraft","category-oliver-schurer","category-performance","category-uncategorized","tag-christoph-hubatschke","tag-christoph-muller","tag-doppelganger-cycle","tag-eva-maria-kraft","tag-oliver-schurer","tag-performance"],"_links":{"self":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/1600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/comments?post=1600"}],"version-history":[{"count":39,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/1600\/revisions"}],"predecessor-version":[{"id":2652,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/posts\/1600\/revisions\/2652"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/media\/1602"}],"wp:attachment":[{"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/media?parent=1600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/categories?post=1600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/h-a-u-s.org\/index.php\/wp-json\/wp\/v2\/tags?post=1600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}